Mumbai, India · Oil & acrylic on canvas

I don't follow a style.
I follow a thought.

Each painting begins as a story running in my head. Some days it becomes abstraction, some days Kathakali, some days birds in conversation. I don't choose the register — the story does.

Originals/Commissions/Large canvas/Exhibitions

Selected

The paintings

All works
Sandhya Jathar

Studio, Mumbai

The artist

I am not emerging from art school.
I am emerging from life.

Thirty years of watching people inside organisations across three continents. A childhood in Kerala. Mumbai on a particular afternoon. These are the places the paintings come from, and they decide the form — abstraction one day, Kathakali the next.

I work in oil and acrylic, often on large canvas, because scale creates physical presence. I want the work to be impossible to walk past quickly.

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The series

Mask-Age

Every circle is a mask. Every circle is also the globe.

My most personal work, painted as COVID unfolded in real time. Read anticlockwise from the bottom left, it becomes a calendar of 2020. It taught me that constraint is also a subject.

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Mask-Age

Founder

Paint for a Cause

A painting is a luxury object. A luxury object can be made to do some work.

Proceeds from designated works go to organisations serving the visually impaired and widening access to education — and the collector gets documentation of exactly where it went.

How it works
100% of proceeds from designated works reach partner organisations

Instagram

Every painting lives here first

Finished work, work in progress, and pieces that never make it onto this site. @sandhyajathar.

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Found a story you recognise?

Tell me the room and the wall. I'll tell you what fits.

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